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One of the things our subscribers have said that they find most useful are the layered PSD files that we include with each image-based tutorial. As such we’re now releasing an additional low res’ PSD file EVERY WEEK. Each image IS between 800px and 1000px wide: selected from those that have been previously published on chromasia. They are provided ‘as is’ – just the file, with little or no explanatory text – but will help you work out how each image was constructed. Annual subscribers and lifetime members can download these from the members’ page and can request that specific images be added to the archive via the members’ forum. For further details please take a look at the following page: |
In this, the second part of our series on working with textures, we will continue our discussion of Michael Regnier’s work. In this instance though, in addition to discussing the techniques that are necessary to produce such images, we will also be taking a detailed look at the creative and aesthetic processes that underpin their creation.
If you would like to see some examples of Michael’s work, you can do so here:
http://www.regnierphotography.com/
By the end of this tutorial you will:
This tutorial contains 6217 words, 51 illustrative images and screen grabs, and has received 6 comments.
Each of our tutorials is based around a series of Photoshop files, at the resolution originally posted on chromasia, and each contains all the original adjustment layers that were used to create the final image. The ones that are included in this tutorial, and a brief description of how each one will be used, are listed below – the ‘before’ version on the left, the ‘after’ version on the right. Each of these files can be downloaded after you subscribe.
| How to get from this … | to this | ||
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Image 1 In this first example I will show you how to add two textured layers to an image: one to add detail, the other to frame the image. |
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Image 2 In this example, in addition to discussing the various techniques that were used to construct this image, we will also consider how to evaluate and alter an image based on aesthetic rather than purely technical criteria. |
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Image 3 In this example, in addition to discussing a variety of alternative blend modes that can be used to merge textures with your images, we will also discuss how to alter specific areas of an image to increase its aesthetic impact. |
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Image 4 In this final example I will show you how to use a range of textures to transform an otherwise dull original. |
"An absolutely great tutorial. I have been following Michael's work on his site for a long while trying to understand how he gets there, now I know. It is by far the best tutorial you have produced. I look forward to more on this theme of the interpretive photographer" Graham Harris |
"Another outstanding tutorial David. Some fantastic images clearly described and so well presented. It was so good being able to see Mike's work." Roger |
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This tutorial is currently only available to our annual subscribers and lifetime members.
| ANNUAL SUBSCRIPTION | ||
| For £25.00 a year you can take out an annual subscription. This will give you access to all our tutorials, various members’ offers and our dedicated forum. | £25.00 | |
| CLICK HERE FOR MORE INFORMATION | ||
| LIFETIME MEMBERSHIP | ||
| For a single payment of £75.00 you can take out a lifetime membership. This will give you access to all our tutorials, various members’ offers and our dedicated forum. | £75.00 | |
| CLICK HERE FOR MORE INFORMATION | ||
To find out more about our other individual tutorials please click any of the following images. Alternatively, you can visit our main tutorials page for further information on: our annual subscriptions and lifetime memberships; our forthcoming issues; and our current members’s offer. You can also read through our sample tutorial on Tonal Range and the Curves tool.
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David J. Nightingale © 2003–10 • all rights reserved