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Creative workflow (further information)
New feature / Mini-PSDs

One of the things our subscribers have said that they find most useful are the layered PSD files that we include with each image-based tutorial. As such we’re now releasing an additional low res’ PSD file EVERY WEEK. Each image IS between 800px and 1000px wide: selected from those that have been previously published on chromasia. They are provided ‘as is’ – just the file, with little or no explanatory text – but will help you work out how each image was constructed. Annual subscribers and lifetime members can download these from the members’ page and can request that specific images be added to the archive via the members’ forum.

For further details please take a look at the following page:

    http://www.chromasia.com/tutorials/online/mini_psds.php

An introduction to our ‘Creative workflow’ tutorials

The majority of our Photoshop tutorials centre around a technical discussion of how to use a variety of Photoshop’s tools and techniques to alter and enhance your images, but mastery of these various tools and techniques should be seen as part of a broader process, not as an end in its own right.

In other words, technical competence is a part of the story – a story that must also include a thorough discussion of the aesthetic considerations that inform the creation of powerful and compelling images.

In our Creative workflow series of tutorials we take the creative/aesthetic process as our primary focus; i.e. rather than simply discussing how an image was constructed, we will also be considering why each change was made, and how each of these change contributes to the image as a whole. As with our other image-based tutorials, each will also include a thorough technical discussion of any tools or techniques that were employed, and you will be able to download a layered version of the PSD file, but the emphasis will be upon creative rather than technical outcomes – e.g. how each image was constructed to tell a particular story, what each image says about its subject, and so on.

How to get from this … to this

Creative workflow #3
In this tutorial we will be taking a detailed look at two versions of this image: one in colour, one in black and white. In both cases though, in addition to working through the technical changes that were made, we will be taking a detailed look at the aesthetic and creative decision making that informed them.

This tutorial contains over 5500 words, and 38 illustrative images and screen grabs, and has received 11 comments.

Creative workflow #2
In addition to taking a detailed look at the various technical changes that were made to this image (by reference to the downloadable PSD file), this tutorial will also discuss the aesthetic decisions that informed the creation of this shot of the Burj Dubai: the world’s tallest building.

This tutorial contains over 4000 words, and 31 illustrative images and screen grabs, and has received 4 comments.

Creative workflow #1
In this, the first of our Creative workflow tutorials we will discuss how the two original images (one under-exposed and one over-exposed) were combined to produce the final image, paying particular attention to the creative implications of the various changes that were made.

This tutorial contains over 5300 words, and 34 illustrative images and screen grabs, and has received 14 comments.

What our subscribers said about #3 in this series

"Another clear and easy to follow tutorial from you David, thanks very much. You lay out what the initial considerations should be and then walk us through how we should attack each stage to improve the end result. You continue to make it sound really simple, and in fact, the steps you've gone through ARE simple, which is why they're so much fun to follow. I think you're cheating though. Your starting point is always much better than mine ! :) I love the 'Creative Workflow' series, keem them coming please."

Justin Photis

"Thanks for yet another fine tutorial. The interweb would be a better place if more photography tutorials were of this quality, both in terms of the content and the presentation."

Adrian Park

"Thank you for a great tutorial. This has really helped me with thinking creative workflow to an end goal/message rather than focusing on individual mechanical steps."

Jean Eichenlaub

"Another great tutorial David, thank you."

Jason Christie

Content overview for #3 (the rollover graphics and embedded videos are not illustrated)
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What our subscribers said about #2 in this series

"Once again you clearly lay out the, relatively, simple steps towards achieving the final result. There are plenty of links to previous tutorials where you've highlighted the technique you were using and the final image looks fantastic and really achieves what you set out to get.

The difference between the teacher and the students, is that clear vision you have about what you want to achieve in your final image & you've got that technical know-how to get there.

Great as always."

Justin Photis

"Thank you for the latest tutorial, it was very informative. The words in your final paragraph really made me think and it sounds so simple but I find that I struggle to convey what I want an image to say and in the process I get frustrated. This lack of clear vision in turn means I keep working an image until its a mess and I finally give up due to the frustration. This is one of the reasons why I have gigabytes of images on disk and none framed and hanging on my walls. One day maybe it will click into place..."

Jason

"Terrific tutorial. I really appreciate hearing not only the what, but the why behind your approach.

Thanks!"

Steve

"Great!"

salvatore_ at

Content overview for #2 (the rollover graphics and embedded videos are not illustrated)
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What our subscribers said about #1 in this series

"I like this, yes the technical information contained is stuff that's been covered before but that's the whole point, you can be told all the technical information and you can understand it, but if you can't think about where you want you picture to end up it'll end up a like like a run-away train. Some of the changes David outlined look miniscule, either with the curves or with some of the cloning out, but when they are put in context with his comments you think, yeah, I get why now."

Justin Photis

"Wonderful tutorial, I couldn't help but think what a nice complement Michael Freeman's book, The Photographer's Eye would make to this particular tutorial. If you had a section on suggested reading I highly recommend it as it explains color theory very well and in a major way reinforces what you are teaching. (the section of moving your eye through the image is there as well."

Tim Valloces

"Another outstanding tutorial David. It's really well written and helped me already to understand some of the thought processes that go into producing such superb images."

Roger

"This has been worth waiting for. Like many people, I can follow the step by step process with sample pictures and understand the techniques involved. I then open one of my own and wonder what I should do first, adding curves and other layers at random without really understanding what I want to achieve."

Steve

Content overview for #1 (the rollover graphics and embedded videos are not illustrated)
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How to subscribe

Our Creative workflow tutorials are currently only available to our annual subscribers and lifetime members.

ANNUAL SUBSCRIPTION
For £25.00 a year you can take out an annual subscription. This will give you access to all our tutorials, various members’ offers and our dedicated forum. £25.00
CLICK HERE FOR MORE INFORMATION
LIFETIME MEMBERSHIP
For a single payment of £75.00 you can take out a lifetime membership. This will give you access to all our tutorials, various members’ offers and our dedicated forum. £75.00
CLICK HERE FOR MORE INFORMATION
Further information

To find out more about our other individual tutorials please click any of the following images. Alternatively, you can visit our main tutorials page for further information on: our annual subscriptions and lifetime memberships; our forthcoming issues; and our current members’s offer. You can also read through our sample tutorial on Tonal Range and the Curves tool.

David J. Nightingale © 2003–10 • all rights reserved


Creative workflow (further information)