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Digital workflow (further information)
New feature / Mini-PSDs

One of the things our subscribers have said that they find most useful are the layered PSD files that we include with each image-based tutorial. As such we’re now releasing an additional low res’ PSD file EVERY WEEK. Each image IS between 800px and 1000px wide: selected from those that have been previously published on chromasia. They are provided ‘as is’ – just the file, with little or no explanatory text – but will help you work out how each image was constructed. Annual subscribers and lifetime members can download these from the members’ page and can request that specific images be added to the archive via the members’ forum.

For further details please take a look at the following page:

    http://www.chromasia.com/tutorials/online/mini_psds.php

An introduction to our ‘Digital workflow’ tutorials

Our primary aim for our Photoshop tutorials is to show you how to use Photoshop to transform your photographs into powerful and compelling images, but mastering a variety of Photoshop’s tools and techniques is only a part of the story, a story that wouldn’t be complete without a discussion of digital workflow. In these tutorials we will be discussing a wide range of supplementary topics – from optimising exposure, through processing your RAW files, to the long term storage and retrieval of your images – all of which will provide you with a detailed guide to establishing an efficient and effective digital workflow within which to embed the post-production of your images.

PART ONE
In part one of this series we concentrate on two interrelated topics, both of which will provide you with the knowledge you need to maximise the quality of your initial images. First, we discuss the benefits of shooting RAW images rather than in-camera JPEGs. The topics covered in this section of the tutorial include: colour conversion; setting white balance and colour temperature; initial sharpening, the application of tone curves during RAW conversion, adding contrast and saturation, the importance of bit-depth, why you should avoid JPEG compression, and the benefits of preserving your latent images, i.e. your original RAW data. Second, we discuss two issues relating to optimising your initial exposures: i.e. avoiding the loss of data through overexposing an image; and how to ensure that your exposures capture the maximum amount of data.

PART TWO
In part two of this series we cover three main topics. First, we discuss choosing a workflow model; i.e. whether to use a range of stand-alone packages or an integrated solution such Aperture or Lightroom. Second, we briefly discuss importing, categorising and organising your images. Third, we cover a variety of techniques you can use to help you decide which of your images to work with, and which to delete.

PART THREE
In part three we begin our discussion of one of the most important aspects of an effective digital workflow – how to convert your RAW files to optimize the quality of your final images. This will include a detailed discussion of Adobe Camera Raw (Photoshop’s built-in RAW converter) focussing on: producing technically optimal images; evaluating and correcting exposure; highlight and shadow recovery; setting the white balance; straightening, cropping and retouching an image; using the clarity slider; and altering the saturation and vibrance of an image.

PART FOUR
In part four we continue our discussion of how to convert your RAW files to optimize the quality of your final images. This section includes a detailed discussion of: using the Tone Curve tool; working with Smart Objects; using the HSL / Grayscale controls, Split Toning an image; and using the Lens Correction tool to fix chromatic aberration and add or remove a vignette. This tutorial also includes a discussion of some of the new features available in Camera Raw v5: the Targeted Adjustment Tool, the Adjustment Brush, and the Graduated Filter.

PART FIVE
In part five we discuss a variety of three alternative RAW processors – Capture One Pro, DXO Optics Pro, and RAW Developer – illustrating their strengths and weaknesses in comparison to Adobe Camera RAW.

FUTURE ISSUES
In subsequent tutorials in this series we will work through a range of further topics including: Colour management; Post-production within Photoshop; Noise reduction; Output (e.g. web and print); and Digital Asset management (i.e. storage and archiving).

Please note that some parts of this series will be published as supplementary tutorials, alongside a given month’s image based tutorial, while other, more complex sections, will be published as the sole tutorial for that month.

How to subscribe

Our Digital workflow tutorials are currently only available to our annual subscribers and lifetime members.

ANNUAL SUBSCRIPTION
For £25.00 a year you can take out an annual subscription. This will give you access to all our tutorials, various members’ offers and our dedicated forum. £25.00
CLICK HERE FOR MORE INFORMATION
LIFETIME MEMBERSHIP
For a single payment of £75.00 you can take out a lifetime membership. This will give you access to all our tutorials, various members’ offers and our dedicated forum. £75.00
CLICK HERE FOR MORE INFORMATION
Further information

To find out more about our other individual tutorials please click any of the following images. Alternatively, you can visit our main tutorials page for further information on: our annual subscriptions and lifetime memberships; our forthcoming issues; and our current members’s offer. You can also read through our sample tutorial on Tonal Range and the Curves tool.

David J. Nightingale © 2003–10 • all rights reserved


Digital workflow (further information)