If you're interested, the original is here:

.../archives/light_trails.php

The post-production was mostly carried out in Camera Raw: I added some contrast and shifted the hue of some of the colours to broaden the colour palette.

On a different matter: if you didn't read my previous entry, I posted my initial thoughts on Topaz Detail, a plugin that does a great job of bringing out the detail in an image without introducing any obvious processing artefacts. If you haven't tried it I'd definitely suggest that you download the demo version and try it out.

In terms of the post-production ...

This one was relatively straightforward, other than that I merged two exposures: the metered exposure, and a second shot that was over-exposed by 1 2/3 EV (I used this to bring out the detail in the darker areas of the umbrella).

I also used Topaz Detail, a Photoshop plugin from Topaz Labs, to bring out the fine scale detail in both the umbrella and the sand. If you haven't tried this plugin, I'd highly recommend it, as it does an absolutely superb job of bringing out the detail in an image without introducing any obvious processing artefacts.

If you're interested, I've posted some before and after shots of a crop from the high res' image here:

http://www.chromasia.com/iblog/archives/Untitled_0095.php

I don't often recommend plugins, not least because I much prefer working out how to achieve a particular within Photoshop, but none of the Photoshop techniques that I know (USM with a large radius, High Pass Sharpening, and so on) come close to those you can achieve with Topaz Detail. If you're interested, this is a topic I covered in my latest tutorial. Anyway, download the demo version and try it for yourself.

If you're not familiar with the event, it's organised around a series of workshops. For example, Zack does a one-light workshop (amongst other things), I do a range of shooting and post-production sessions, Vincent did a week long session on using the 5D II to shoot video, and so on. There's also quite a lot of socialising, most notably at the Vista Bar on the roof of our hotel, and a range of other events, sessions, exhibitions, and so on.

One of the highlights of this year's event was a live shoot-out between Zack Arias, David Hobby and Joey Lawrence that took place during the closing ceremony. Each of them had 25 minutes to shoot and post-process a shot of two models, in front of an audience of several hundred photographers and students. David went first, and used about six "voice activated" light-stands (aka people with cameras and flash guns that were slaved to David's camera) to create a great, paparazzi style shot of the models. I don't think he's posted it online yet, but I'll link through when he does. Zack used three lights, and created an equally stunning shot. Joey, on the other hand, went for a slightly less sophisticated approach and shot a polaroid.

Update: David's take on the shoot-out is here:

http://strobist.blogspot.com/2010/03/speedlights-at-twenty-paces.html

Anyway, I'll tell you more about the event and everything else that went on later this week, but for now, here's another shot of the Jumeirah beach taken while I was out with Catalin Marin and Robin Nichols. The content is fairly similar to the previous one I posted, but I decided to process this one in a slightly different way. As always, let me know what you think.

Oh, and if you've been following my Facebook updates you'll know that ended up in the Emirates hospital on Friday evening, suffering from disturbingly painful stomach cramps. I'm still not quite sure what the problem was, but after taking a variety of tablets for a couple of days I now feel a whole lot better. At which point I should definitely thank Khaled for driving me to the hospital and Miriam for driving out there too to look after me.

As for this shot: it was taken down at the Gate Village down at the DIFC and is an HDR, constructed from three exposures (-2 EV to + 2 EV) using Photomatix Pro.

If you're interested, the metered exposure for this sequence is here:

.../archives/gate_village_1.php

In the meanwhile, here's a shot of one of my students, taking an exposure sequence underneath the DIFC.

On which note, I'm hitting the sack as I have a full day in the labs tomorrow: HDR post-production in the morning, and ‘enhancing portraits’ in the afternoon. It's going to be a fun day :)

And if you're interested, the original (Camera Raw default version) is here:

.../archives/jumeirah_beach_1.php

And I would write more, but I have some work to do this afternoon, after which I'm heading off to the Mall of the Emirates to attend the opening night of the in the blink of an eye' exhibition (which features six of my beachcombing images). The other photographers who are exhibiting their work are Joe McNally, Joey L, Melissa Rodwell, Steve Simon and Zack Arias, so I'm definitely feeling honoured that I was asked to take part.

After that it will be time to hit the sack as my first GPP workshop kicks off bright and early at 8.00am ... and I'm so not a morning person ;) I am looking forward to it though :)

If you're interested, the somewhat less than inspiring original is here:

.../archives/an_infectious_smile_2.php

Among the guests was this young lad and, while it's not one of the best portraits I've ever posted, I defy you to tell me that it didn't make you smile :)

So, I guessed the angle I'd need and shot what I thought would be something quite close to the image you can see here. Sadly, as you can see from the image I've linked below, I didn't get it quite right:

.../archives/as_the_light_falls.php

Anyway, rather than trash the image I decided to transform it instead (Edit → Transform → Skew). I then toned it using a Curve and ended up with something that is probably a bit closer to the image I would have taken … if only I'd remembered to take my viewfinder out too ;)

Anyway, I digress, but there isn't a great deal more I can tell you about this one: it's a weathered road sign, at the top of a hill. I can show you the original though, which was adjusted using just two curves – one for colour, the other for contrast:

.../archives/ten_per_cent.php

On a related matter, in terms of post-production at least, we've added a new feature to our Photoshop tutorials: Mini-PSDs. One of the things our subscribers have said that they find most useful are the layered PSD files that we include with each image-based tutorial. As such we’re now releasing an additional low Mini-PSD every week from images that I've posted on the blog. If you're interested, we've added five so far:

http://www.chromasia.com/tutorials/online/mini_psds.php